
photo: Julie Lemberger
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December 2002
Edisa Weeks ’83
BFS Helps Support Edisa Weeks’ Passion for Dance
by Jesse Soll ’95
Edisa Weeks ’83 has a passion for dance, and yet as a young
child she initially rejected it. “At the time, we had just
returned from Uganda (where her family was living) so I joined the
class late, which was very uncomfortable for me. Also, my brother
told me dancing was for sissies,” she remembers, laughing.
Now an experienced dancer, choreographer and director, Weeks recently
formed her own dance troupe, the DELiRiOUS Dance Co. in New York
City.
It took Weeks a number of years to escape her brother’s
influence. Her interest in dance returned at the age of 15, when
her mother urged her to join the Marie Brooks Children’s Dance
Company, with whom she traveled to Europe. Her experiences sparked
an interest and passion that has yet to die.
This was also the year that Bonnie Weins joined the faculty at
Brooklyn Friends as Upper School dance teacher. “Bonnie really
revitalized the dance program at Brooklyn Friends,” Weeks
says, “and she encouraged students to express themselves and
create their own work. She nurtured creativity and never rejected
our ideas.”
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“Seat of Dreams” choreography by Edisa Weeks
and Homer Avila; photo: Julie Lemberger
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photo: Jaye R. Phillips
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Weeks admits that during her four years in the Upper School she
spent more time in the dance studio and art rooms than in the library.
Nevertheless, she credits the many hours spent rehearsing and experimenting
for sparking her creativity and giving her the confidence to express
herself as a dancer. Weeks also cites former faculty members Martin
Norregard, Jeanie Silkworth, and Marilyn Turtz for encouraging and
nurturing her interests.
Upon graduating from Brown University with a degree in Non-Western
Performance Studies, Weeks joined the renowned Alvin Ailey School.
“Alvin Ailey was my first experience with technical instruction,
and it was such a shock to my body but it definitely helped me become
a stronger dancer,” she says.
Weeks’ career as a dancer faced a serious setback nearly
two years later when she suffered a knee injury. During the long
path through rehabilitation, Weeks often questioned dance as a career.
Fortunately passion overcame doubt and she joined Dance Brazil,
remaining a member for one and a half years.
“At the time, Dance Brazil was the perfect match for me.
I could experiment with so many different dance forms. It really
helped me realize that dance was my life,” she says. “Then,
while I was dancing with Bill T. Jones/Arnie Zane Dance Co. in ‘Last
Summer’ at Uncle Tom’s Cabin/The Promised Land, I met
(fellow dancer) Homer Avila, and in 1992 we formed the Avila Weeks
Dance Company.”
Her collaboration with Avila lasted nine years, until she decided
to form DELiRiOUS, a venture that offered many rewards. “It
is wonderful to have a group of people who know and trust me, who
share my vision, and who are willing to take a journey with me,”
Weeks explains. “Although it is a struggle to generate funding
and exposure, I love having a company.”
And, despite her busy schedule, Weeks has found time to return
to Brooklyn Friends. In 1998, she approached dance teacher Marna
Herrity in hopes of opening a connection with her old school. The
result? She choreographed a quartet to music by Patsy Cline and
recently used the dance studio as a rehearsal space.
“Brooklyn Friends has been an incredible resource to have.
Marna was great; she made time for us in September which was extremely
helpful as commercial space is very expensive. It is special to
be back here twice a week dancing in the same space where I began
to find myself as a dancer.”
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