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Visit: Summer Arts Students Visit Studio of Christo and Jeanne-Claude
by Jeffrey Stanley
The summer arts kids got a special treat this month. Summer Arts
Director Rachel Webber arranged for them to visit the SoHo
studio of acclaimed environmental artists Christo & Jeanne-Claude,
the husband-and-wife team most famous for their “Wrapped
Reichstag” project, completed in 1995, in which they draped
the Reichstag building in Berlin with fabric using a team of 90
professional climbers and 120 installation workers. After 14 days
the exhibit was dismantled and all the materials recycled. The
couple are currently working on their much-anticipated project, “The
Gates,” in which 7,500 colored fabric panels will be positioned
at intervals throughout Central Park’s 23 miles of walkways
for 16 days next February.
The studio visit came about after Webber saw the current exhibit
at the Metropolitan
Museum of Art documenting the Christos’ years of prep
work for “The Gates.” “Knowing that they lived
and worked in New York, I decided to try to arrange a studio visit,” says
Webber. “After the success of the William
Wegman trip last summer, I thought I would go for it. I wrote
a letter to them describing the Summer Arts Program, told them
how brilliant our students are, and I guess that sold them on the
idea.”
Webber explained that even in their earlier years, Jeanne-Claude
was an active cohort on Christo’s projects, but it wasn’t
until the Reichstag project that they began placing both of their
names on their work. “It was a planned decision—they
felt they could achieve success in the art world easier using just
Christo’s name on their art at first.” Since then,
they have made it clear that Jeanne-Claude has always been Christo’s
artistic partner.
“They were extremely welcoming to the children,” said
Webber. The gaggle of 8- to 12-year-olds was enthralled by this
unusual duo, and had many questions for them. The Christos appeared
equally engaged by their young visitors. “They were not at
all interested in the adults, pretty much ignoring us and giving
complete attention to the kids,” Webber says.
Jeanne-Claude, a striking presence with bright red hair, encouraged
the students to ask personal questions, and indeed they did. “Was
it love at first sight?” one student asked. “It was
love at third sight,” Jeanne-Claude replied.
Christo politely avoided such personal questions and focused primarily
on discussing their art, but he was a warm and friendly presence. “You
could tell that he and Jeanne-Claude were very much in love, and
definitely had their roles well worked out,” observed Webber.
In preparation for the visit, Webber took the students to the
exhibit at the Met, then to Central Park where they sketched their
own studies, similar to what the Christos had done. Then, the kids
used collage to illustrate their own ideas for a Central Park installation.
Finally, they compiled a boxed portfolio of their designs and presented
it to the Christos as a gift at the end of their visit. The Christos
commented on each and every drawing in the box.
“The kids loved that,” said Webber.

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